![]() In these examples, a single instance can have multiple parts, with each part responding to a specific MIDI channel. Sampletank, UVI Workstation, Kontakt are example of vstis that are Per-Output. Which VSTs are Per-Output and which are not, and how can you tell? (Per-Output Instrument tracks are unsuitable for MPE instruments.) They are velocity sensitive but have two states, on or off. None of the keyboards that I have tried lately have had good weighted key switches. I use it only because it is more compact for my desktop versus my full sized M-Audio Oxygen 49 (which I love the keys). I bought a semi weighted keyboard controller and I dislike that I have to push so hard on the keys. I am very picky about my keys and their "pressure sensitive" keys. It seems durable, I would like to play one first. I am very tempted to buy one but I need to do more research first. This Osmose keyboard seems to have cleverly done away with that learning curve other than that the keys depress kind of deep. One of my friends is an accomplished keyboardist and they bought a large ROLI Seadboard and regretted it due to the learning curve. If I worked with cinematic soundtracks for films, this would be an instant buy. I would buy one just to play around with it, mostly for pads and lead instruments. I would like a PC patch editor for this and PC based sounds. I refuse to use a small faceplate to traverse layers and layers of parameters. I am a screen real-estate, in the box kind of person. It possibly only has global stereo effects. I just want the controller, not all the other stuff anyway. I will purchase one of these when I am sure I can drive my other sounds with it, I assume a cheaper version of this will eventually come out. That is an interesting point SirWillyDS12, and I did not even check if it is multitimbral. My Korg 01W is 32 Voice Polyphony and it is almost 30 years old. Seems a little "weak", especially for almost 2 grand.
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